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日本語版は後日掲載予定です。 [keywords] Aesthetic, Architecture, National, Universal, Judgment [abstract] The nineteenth century aesthetics introduced particular ideas concerned with aspects of creativity and aesthetic judgment in architecture related to a feeling of national belonging, mainly unknown in previous periods of European culture. However, this well known fact wouldn’t be from a particular interest that demand for introducing national feelings into aesthetics was not linked to a search for a new expression in architecture for particular reasons. Following the explanation given by aestheticians, need for introducing national feelings into architectural expression is closely linked to formation of new styles able to reactivate essential values of creativity and aesthetic judgment. In that context, ‘national’ in architectural expression was not solely a political tool, but also a reaction to the eclectic state of architecture. It was, in its essence, an advice to use national as universal aspect of reaching a new, better condition of European architecture.
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